So, last time I tried to talk about the Olympics, I got bogged down with all the patriotism and celebration which succeeded the event. This time around, I don’t want to do that. So here is my humble take on the Olympic closing ceremony (held on 12/08/12).
Back To Work.
As with the opening ceremony, the closing seemed to be split into sections – all-be-it with a slightly different overall tone. If the Open was an introduction to British culture with the intention to “do it right” then the closing was a celebration of it in the spirit of “the job is done – Let’s have fun.”
The first identifiable section was loosely framed around the working day London with the stadium dressed as a miniature (but massive) skyline of the city – more-or-less the complete antithesis of the ‘green and pleasant land’ presented before. No bizarre, chaotic transformation this time around though, just a strange cameo from Churchill expounding lines from The Tempest from the dome of St. Paul’s. Actually, that is quite bizarre. Winston was played by Timothy Spall, a very credible and entertaining actor, but – had he not been dressed as Churchill – I would have struggled to recognise it by the voice alone.
Then came the first batch of musical performers – headed up by Madness. Now, perhaps I’m a bit jaded because, after you have seen “Our House” performed on top of Buckingham Palace while rear projections of terraced houses transform the Queen’s house into a typical street, as per The Diamond Jubilee Concert a couple of months ago – it is very hard to top that. Still, it is a fan favourite and always welcome to these ears.
Then I looked away for a second to put the kettle on then, when I returned with my beverage, the screen was filled with pointy-hatted lunatics on bicycles that made me wonder if PG Tips had slipped something into my teabag. It was the Pet Shop Boys (/men/quite middle-aged men now) of course! doing “West End Girls” (keeping the ever tenuous connection to the London theme). They were followed by One Direction in a celebration of cheesy peppy bullshit that made me wish that PG Tips had started doing a new line in ‘special green teas’.
The whole thing was tied together with old bits of string – otherwise known as Stomp – which actually worked pretty well as the ‘city’ went about it’s business. This led into a performance of The Beatles song “A Day in the Life” which depicted people waking up, getting out of bed, combing their hair, having a cup of tea, looking at the clock… well you get the idea, it’s all a little on the nose don’t you think? I did, so I found my way upstairs and had a smoke… errr… I mean… had another cup of PG Tips.
Then came Ray Davies of The Kinks doing his love song to London “Waterloo Sunset” – y’know, that song your mum likes. No, I kid, there’s nothing wrong with a bit of The Kinks. What was less agreeable was Davies’ habit of telling the crowd when to do the “sh-la-la’s” which just put me in mind of the Old Jewish Man from The Simpsons. The section was capped of by a rendition of “Read All About It” performed by Emeli Sande.
More Power To Your Elbow.
Next, it was time to invite the Olympians to the party. And who better to do that than Elbow (who were also responsible for this). First came the 204 flags of the competing nations, each one carried by a national hero – with Ben Ainslie bringing up the rear flying the flag for Great Britain. Next came other assorted medallists, entering straight through the crowds. And finally, the waves upon waves of other competitors – winners, losers and runners-up alike.
All of this playing out to the sounds of “Open Arms”– a song that never fails at the best of times but, on this occasion, represents the most acutely chosen song of the whole ceremony. Watching the athletes wash-in in casual and festive mood – I found myself thinking, not of the heroes of golden glory, but of those amongst them who did not achieve their dreams – particularly when the song reached the refrain: “We got open arms for broken hearts” – it just seemed to re-enforce the notion that everyone was welcome. The song also contains another moment where Guy Garvey repeats the phrase “Everyone’s here” – neatly reflecting the theme from the Opening Ceremony – “This is for everyone.”
This was followed by the songs spiritual predecessor – “On A Day Like This” – which is one of those tunes that always makes me think of Glastonbury. I make a date to watch the BBC’s coverage of the Glastonbury Festival every year – it’s one of my favourite parts of the summer. Its a nice way to hear some new and interesting music but, what we are really waiting for, are those Glastonbury Moments – were the band is firing on all cylinders, the audience is alive with electricity, even the light is just right and the sound just moves you. Unfortunately, there was no festival this year – well the calender was a little full – but, thanks to Elbow, we did get a Glastonbury moment.
This section over-ran a little bit – I guess the athletes were having too much fun whilst coming into the stadium. But who cares, it was their party really – we were merely spectators. Besides, it was good to see Olympians at play – waving flags, dancing, displaying their medals, doing back-flips and the like. Also, as the previous batch of songs replayed to fill the gap, we were provided with an appearance from The Genius Camera Man aka Perv Cam (depending on your point of view)
Genius Camera Man refers to the habit of broadcasters at spectated events, particularly sporting events, to scan the crowds in order to pick out the prettiest fans to be put on the big screens. His ironic appearance came as the One Direction song “What Makes You Beautiful” replayed and Perv Cam cut to the Swedish women’s team celebrating. Genius!
More Tea Anyone?
The next bit was more than a little weird. In a tribute to Minecraft (or possibly Tetris), a multitude of luminous blocks were carried into the stadium by, what I can only describe as, zombie-mummy-robots. This all happened while a trippy remix/cover of Kate Bush’s (popularised by Placebo) “Running Up That Hill” played. The blocks were placed and arranged, first in a pyramid (probably just to make the conspiracy nuts wet their pants) and then a large, white monolith (which will come into play later).
Standing on Ceremony.
Next, we pause a moment to observe some of the more traditional elements. Chief amongst these being the presentation of the medals for the men’s marathon event. I’d like to contemplate that for a moment. Imagine being awarded your medal (well, imagine winning a medal in the first place.) on the centre stage, not only in front of all those people, not only in front of all your peers, but in front of the entire world. If Superman was ever to be awarded a gold medal – this would be the occasion to do it. So by that specious logic, Stephen Kiprotich of Uganda is Superman! (And then, of course, it’s your anthem that gets played)
Then a bit of business involving the Athletics Commission and a thank you to the volunteers – or “games-makers” as we were instructed to call them. I never liked that word – “games-makers” – it just sounds too much like a title conjured by committee. What’s wrong with the word volunteers? It tells you everything you need to know – these people gave their time, of their own accord, in order to help out. That’s a volunteer. Anyway, they got a quick tannoy of thanks and some flowers (Hardly the rapturous praise much of the general public would liked to have given them).
The Show Must Go On.
And so it did, with a choral rendition of “Imagine”. But then, projected on the big screen (that constructed monolith), the man himself – as though live! Forgive me for being excited by that, but I come from a generation that has only known covers of that song (some good, some not so good – but always included in any celebration of British culture). A particularly apt choice, especially with the lines about “a brotherhood of man” which syncs nicely with the Olympic spirit of friendship.
I wish I could be as glowing with the next, flesh and blood, performer – George Michael. First he performed “Freedom” – a song that is completely empty aside from that one word. Then came one of those crappy techno ones that he periodically tries to shit down our throats. “I’m Alive” as far as I could gather but I fail to see why. The funniest part for me was watching the choir desperately trying to emote the repetitive refrain and believe it while their souls gradually leaked out of their pores. I mean seriously, is anyone proud of George Michael? Maybe you like his music, perhaps his antics amuse you – but proud? For me, watching this prancing Bono-wannabe proclaim “you are the centre of the universe” didn’t exactly fill me with pride.
This was capped of by a rendition of “Pinball Wizard” originally by The Who – accompanied by a flock of mod’s on motorbikes.
Dedicated Follower of Fashion.
Next came a David Bowie crash-mash of all his hits finally settling on “Fashion”. So came the next segment, a celebration of British fashion. Massive black and white billboards wheeled into the stadium depicting style icons. Then some models showed up and I got bored.
After that it all got a bit dark and stormy. A huge longship-type-thing heralded the coming of The Dark One: Annie Lennox. She stood, Titanic-style, at the helm of this pirate-ship – steered by a crew of vampire-pirates (Who would win between a hoard of zombie-mummy-robots and a mob of vampire-pirates??) while she sang “Little Bird” from Bram Stoker’s Dracula. Yeah, that was odd.
Next was another cover, this time Ed Sheeran doing Pink Floyd’s “Wish You Were Here”. It’s hard to go wrong with this song – especially when you have a veritable dream-team of classic rock musicians backing you up – but what I really liked was it was a straight cover and he didn’t feel the need to “make it his own” or “bring it up to date”. Sometimes, a classic is a classic and should remain unmolested.
For this one step forward, we took two large ones back. Enter that Essex-born pillock Russell Brand claiming, first to be Willy Wonka, and then to being The Walrus. NO, YOU ARE NOT! Now get down off that bus and put the megaphone down before you embarrass someone.
Pops, Bangs and Screeches.
Inevitably, we had an appearance from Fat Boy Slim (well, the top of his middle-aged head anyhow). He played… well, y’know, the same few tunes he’s been playing since the 90’s.
Then came Jessie J, looking awkward in a headline grabbing “see-through” catsuit, which might have been titillating had it not been so transparent. Even-so, perv cam’s head exploded along with the trousers of his loyal band of teenage boys. Jessie is an odd one, she certainly has the talent to be taken seriously but, pulling stunts like this, is not going to make that happen. Lady GaGa she is not – nor should she try to be. [I’ll say it now, Jessie J has the potential to go on long after we have all gotten bored of GaGa’s shenanigans – she just needs to pick a camp.]
Jessie was joined on stage by a procession of interchangeable pop ‘stars’ – the kind who like to tell their audience where they are every five seconds. [“London 20 12” apparently – apart from that one time when Jessie nearly shouted “Glastonbury” and probably hoped no-one noticed. Sorry, someone did.]
Then the “much anticipated” appearance of the Spice Girls happened. Their inclusion at the event had been leaked a few days prior and was one of the only things I knew about before hand. Seriously, who still cares?? Did anyone really jump up and down when they found out the Spice Girls were reforming again? If so, who? The fans from the first time time around? Surly they have long-since realised that their catalogue of songs is nothing but shameless self-promotion proclaiming nothing deeper than “we are the Spice Girls” and the hollow “movement” called “girl power” was about as important to women’s liberation as the right to wear false nails in the workplace. Or maybe, the second generation of fans from one of their multiple reunions – constantly disappointed by a lack of new material and cancelled tour dates? As for the performance itself – OH GOD – MY EARS, I THINK THEY ARE BLEEDING! Seriously girls, for the sake of music, break up again – please.
But the raping and rewriting of adolescent memories didn’t stop there – oh no. Here comes Beady Eye. Who? Beady Eye, y’know, Liam Gallager’s new band formed from the remnants of Oasis (minus the talented one). They performed “Wonderwall” a song which Noel performs better and that Liam has performed better i.e. not like someone who needs their adenoids taken out with a rusty coat-hanger. I guess nostalgia will only forgive so much.
The Five Ring Circus.
To lift our spirits, we had a snatch of ELO’s “Mr. Blue Sky” – which everyone likes and is particularly amusing when played at night. As this played, a huge human cannon was wheeled into view and a fire-suited, crash-helmeted human cannonball made his entrance with a heroes handshake for everyone he met. Then it all went horribly wrong! The cannon tilted and the ball tumbled ineffectually into the floor.
So who was this would-be daredevil heartthrob? None other than Eric Idle – giving Rowan Atkinson and Daniel Craig a run for their money in the comedy stakes. He gave us a very welcome rendition of the song from Monty Python’s Life of Brian “Always Look on the Bright Side of Life.” Who could fail to smile at that?
Musings and Monarchs.
Then, finally, Muse took to the stage to perform “Survival” – a song criminally underused in coverage of The Games. I have been waiting to hear some of their new stuff for a while, particularly live (various teasers only serving to whet my appetite further). I was not disappointed but, this performance seemed to be plonked in the middle with no particular dressing as though as a last minute insertion.
Now, there is an inherent problem with this track in that The Olympics has an ideology rooted in the spirit of ‘friendship’ and Matt Bellamy decided to compose a track evoking the spirit of competition. There is a contrast in this- one could be said to be expounding the virtues of civilisation (The Olympic Spirit) and the other could be said to be examining mankind’s compulsion towards more animistic tendencies (The Spirit of Competition) – which could be difficult to harmonise. This could be why Muse were included, but not necessarily celebrated (which is a shame).
Next, the big building block screen came back into play – once again resurrecting a lost idol – this time proving (if proof were needed) that Freddie’s classic warm-up routine has lost none of its charm and will always ride again.
Enter Brian May, featuring hair that increasingly resembles Doc Brown’s after the bolt hit him, with a live solo which, as only the best guitarists can do, was completely unaccompanied yet somehow sounded multi-layered.
Soon after Roger Taylor joined with the “Rock You Thump”. How pleased must he have been when he came up with that cheeky little refrain? Y’know, when society finally falls and our ancestors revert back to the status of mud-flinging cavemen – one of them will pick out the fractured femur of his vanquished rival and beat the “Rock You Thump” into his skull.
Then Jessie J returned to fill in the vocals but they left far too much echo on her voice.
Hand It Over, Boris.
Then we came to the winding down portion of the evening, heralded by the traditional playing of the Greek national anthem. Then a humours example of translation dissonance.
As you may or not know, the three languages spoken at The Olympics are French (for some reason), English (because lots of people speak it) and the language of the host nation (in this case English again so they only used the first two) [Its a bit like how in the chambers of the United Nations they only speak in about half a dozen languages on the understanding that most people can speak (or learn) at least one of them]. Well there was a habit by the French translator (a common one I suspect) for saying any name in the same tone and intonation of the language it comes from. In this case, he was talking in French then would suddenly switch to an English accent and back again – making it appear as though their was no French word for “London Male Voice Choir” (or for “Boris Johnson” for that matter) when they were introduced to sing The Olympic Anthem.
Then, Boris flies the flag again – and once again we feared he’d drop it and once again we sighed when he didn’t. It was his role to hand the flag over to Rio, the host of the next games, a ceremony he himself took part in four years previous, only this time he was the incumbent not the recipient.
You could see he was a little reluctant to give it up – and I can’t blame him. No one wanted this golden festival of sport to end – No one wanted to see this once in a lifetime moment finally pass into history and memory. But that is, ultimately, the true spirit of the games – succession. As Beijing gave to us, we must give to Rio and they must give to the next, so that the promise can be kept and the games can be contested once again.
A Taste of Rio.
Next came another traditional bit, a show within a show, giving the next host nation the chance to show us all what they have in store. And so, the Brazilians representing Rio de Janeiro. Was you expecting a carnival? Well good, because that’s what we got – complete with flashing neon versions of those peacock tail dresses they wear.
This part, although brief, actually had a much stronger and more easily identifiable narrative than the broader ceremony that surrounded it. The story, such as it was, involved a little road-sweeper fella introducing another man in a suit to the sights and sounds of Rio. So after the obligatory carnival, there was some odd stuff involving fluorescent green hats (that particular shade of green that always puts me in mind of the pharmacy scene from Natural Born Killers – not that that has anything to do with this) and then a celebration of samba, which to my uncultured ears sounds a lot like a Latino version of those soul singers from the seventies. Then the party was capped off with the entrance of one of Brazil’s greatest sporting legends – Pele. In the international game of Top Trumps, were we would most likely put up David Beckham, I have to say: fair play, you win.
In all seriousness, based on this display, I’m quite looking forward to the next games – I can’t wait to see which flavours the South Americans bring to the mix and, if I start saving now, I might even try to book a flight myself to join the carnival.
The Power of Speech.
As the games continued to wind down, it was time to hear once more from Sebastian Coe and Jacques Rogge. A massive cheer echoed around the stadium as Seb Coe stepped up to speak and then he proceeded to thank everyone as though he had just been handed an Oscar – at one point I was waiting for that music to fade up to rush him off the stage. Then he thanked the volunteers (for I will never call them Games-Makers) and received an even bigger cheer – the British public providing a much more apt tribute in that one sound than anyone else could. I would like to echo what Coe said – Thanks for keeping everyone safe and making sure everything went without a hitch so we could all focus on the sport – or as Rogge put it – they were the “heroes of these games”.
Seb went on to talk about the overall aim of these games – the capacity and desire to inspire a generation (and we all appreciate that this coming generation is in dire need of something inspirational.) and the concept of ‘legacy’ (which I’m sure will soon start to irritate). He rounded off his speech reflecting on his previous statement that London 2012 should be “a games for everyone” adding that we had produced “a games by everyone” and that “we did it right.” And, yes, in my humble opinion, we did – in the face of everything that a skeptical British public could throw at it – we delivered.
In Rogge’s speech he commented on the enthusiasm of the cheering fans throughout the games. This amuses me. We are very well aware of our reputation internationally (as Brits – and in particular as The English) for being reserved, repressed or even up-tight. While individually you could probably build quite a good picture of this stereotype; when you put us together in a group or crowd – something different happens. If you have ever witnessed Brits abroad you can attest to this – ‘reserved’ is not the word I would use and it is not their upper-lips that remain stiff over the weekend.
He closed his portion by calling the event a “happy and glorious games” which was a nice and faintly touching nod to our culture (with Team GB taking care of “send[ing] us victorious”) and the traditional “call to the youth of the world” to meet in four years to contest the games again – even more potent thanks to all that talk of legacy previously.
Tears for a Dying Flame.
If you didn’t like the part where Boris handed over the flag, you really aren’t going to like this next bit. The time had come to extinguish the flame and put the final full stop on the 30th Olympiad.
Having drawn together in the opening ceremony – each arm representing a different nation – it was time for the cauldron to separate again, dispersing the countries back to their rightful places on the planet. The structure, a true testament to British engineering, fanned out into a dome-shape from which a Phoenix rose. [pictured above]
This was followed by a performance from Take That who sang “Rule the World”. I wonder whether this song might get lost in translation – whether what is essentially an over-powered love song might worry foreign listeners into thinking we were reasserting our claim for world dominance. Nah, probably not.
Next came the obligatory fireworks display that seems to follow the band like a particularly fanatical pyromaniac. From the smoke another Phoenix swept down onto the stage. It was, in fact, Darcey Bussell – prima ballerina – who led what I can only describe as a techno-ballet. The sort of thing that fans of The Fifth Element’s take on “Lucia Di Lammermoor” would be excited by and leaves us uncultured-types mystified (but in a good way though).
After this performance, the dome finally lowered into its original ring position and the flame gradually died. That was a sad moment when it had finally gone. We had seen that flame travel the length and breadth of our country – carried by celebrities, legends, heroes and common-folk alike – touching everyone it met. One tiny, symbolic flame had somehow reignited the latent fires stoking this country – had brought unexpected hope to the ever increasing cold and darkness of a nation under crisis. We had watched it burn brightly, illuminating such dreams and heartaches that we shall never see again – always standing guard over the games and ensuring The Olympic Spirit was upheld.
Then it faded away to darkness, as it must, leaving only ashes and memory. It was over. The flame was gone. Its for us now to relight it once again, on our own. Its for us to remember that flame, those two glorious weeks when we was its keeper – when we showed to ourselves and everyone that: We can do this. Its not impossible. Its for us to remember that flame, make it blaze again and to teach our next generation how to carry it.
By way of a swansong, we were treated to a medley performed by The Who comprised of “Baba O’Riley”, “See Me, Feel Me” and of course culminating with “My Generation” – a song comfortably re-appropriated by each succeeding generation – belonging, really, to none of them. That’s how it should be, and long may it continue, and perfect way of rounding out the party. I no longer view “My Generation” as a Who song – it’s ours now – and this is when they gave it to us.
In Closing.
After all’s said and done, what did I think of the closing ceremony? Well, compared to the seminal spectacle of the opening ceremony, it was certainly a less coherent affair – sometimes having the feel of a pop concert desperately trying not to be a pop concert.
I also had a slight issue about who it was aimed at. If the open was “For Everyone” designed with an eye toward what the rest of the world would make of it – the closing seemed to be “For Us” with an eye toward what the British public would enjoy. Now, there is no real problem in doing this but, if I didn’t speak English and was unfamiliar with western popular music, I would have found the whole thing mind-numbingly boring. Sorry, but its true.
But perhaps the reason I didn’t enjoy it as much as I could have is for the same reason that you can’t enjoy that one last Sunday of the summer holidays – that part of your brain that likes to tell you “its back to work on Monday” keeping you from fully enjoying that last party.
Maybe that’s it. I don’t want to wait another four years to do it all over again.
Thankfully, we got the Paralympics to celebrate before we say goodbye for good.
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Note to self: Next time I write something this long I’m gunna do it in parts or something because it takes a lot of patience to sit here and read this entire thing in one go.